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We head back into comfy early-’80s slasher territory with Joe Giannone’s 1981 cult favorite Madman. Even though we’d somehow missed it for years, we were genuinely impressed by how competent it is—strong cinematography, effective editing, solid performances, and practical effects that often land, plus a captivating campfire-story opening that sets the tone and lore of…

We head back to the modern age with A24’s 2025 thriller Opus, the writing/directing debut of Mark Anthony Green, featuring John Malkovich, Juliette Lewis, Ayo Edebiri, and Murray Bartlett. We talk about how impressive the filmmaking is, Malkovich’s unexpectedly convincing pop-star performance (including a full in-movie album), and the movie’s strong, tense, twisty atmosphere that…

We dug up Renny Harlin’s 1987 haunted-prison flick, Prison, after it surfaced on our feeds—and we can’t believe we’d never heard of it, given the stacked cast and Harlin directing just before Nightmare on Elm Street 4. While the story feels convoluted and the setup is thin, the movie is slickly shot and packed with…

We tackle Abel Ferrara’s 1979 cult shocker The Driller Killer, a film Todd has wanted to cover for years and one Craig went in nearly blind on. We talk about its infamous cover art and how it helped spark the UK “video nasties” panic, then dig into the movie’s grimy New York atmosphere, disjointed character-study…

We check out the 2025 Tubi Original horror film, ‘Match,’ and dig into its modern dating-app setup, low-budget vibe, and surprisingly solid practical effects. We talk through the creepy catfishing premise, the overbearing mom luring women to her house, and Henry’s memorable monster design, along with the movie’s mix of gross-out shocks, dark humor, and…

We picked the 1989 comedy slasher ‘Cutting Class’ because we needed something lighter, and it turned into a confusing-but-entertaining watch loaded with tonal whiplash, juvenile jokes, and some genuinely memorable kills. We talk about the oddball cast—especially a very young Brad Pitt—plus Jill Schoelen, Martin Mull, and Roddy McDowell, and why so many scenes feel…

