Tagged: podcast

Even though we’d somehow missed it for years, we were genuinely impressed by how competent it is—strong cinematography, effective editing, solid performances, and practical effects that often land, plus a captivating campfire-story opening that sets the tone and lore of “Madman Marz.” The plot is basically a classic paint-by-numbers chain of counselors wandering into the woods and getting picked off, but the kills are creative and the filmmaking elevates the whole experience. We also shout out the sound work, the memorable songs, and Galyn Ross as Betsy, then wrap up by playing a listener call.

We talk about how impressive the filmmaking is, Malkovich’s unexpectedly convincing pop-star performance (including a full in-movie album), and the movie’s strong, tense, twisty atmosphere that sometimes evokes The Menu. We walk through the plot’s creepy compound setting, escalating cult behavior, and the violent reveal, then debate the ending’s explanation that everything was orchestrated so Ariel could escape and publish an exposé. One of us loved the ride and performances, while the other found the message and payoffs frustratingly vague, though we still recommend checking it out.

While the story feels convoluted and the setup is thin, the movie is slickly shot and packed with memorable, creative kill sequences—dead lights, superheated cells, sentient barbed wire, and an outrageous finale. We talk through Viggo Mortensen’s early role as brooding inmate Burke (and how much of the movie he spends nearly naked), the prison’s chaotic reopening, the warden’s melodrama, and the bizarre supernatural “rules” that make little sense but still deliver some great effects. It’s messy, weird, and surprisingly fun—worth a watch on YouTube while it’s there!

We talk about its infamous cover art and how it helped spark the UK “video nasties” panic, then dig into the movie’s grimy New York atmosphere, disjointed character-study structure, and aggressive sound design—including the repeated band-rehearsal sequences and heavy use of music. We break down Reno’s unraveling as financial pressure, an unexplained church encounter, and surreal flashes build toward a sudden, graphic drill-fueled rampage, along with moments of dark humor and ambiguity. We also discuss the added footage in the longer cut and the unsettling, open-ended finale.

We talk through the creepy catfishing premise, the overbearing mom luring women to her house, and Henry’s memorable monster design, along with the movie’s mix of gross-out shocks, dark humor, and some frustrating “why would you do that?” character choices. Despite the cliches and suspension-of-disbelief moments, there’s plenty to discuss—from the Buffy-like mid-movie team-up and standout kills to the bizarre music-soothing motif and an especially brutal finale. If you’re in the mood for something dumb, goofy, and competently made, this one might be worth the watch on free, ad-supported Tubi.

We talk about the oddball cast—especially a very young Brad Pitt—plus Jill Schoelen, Martin Mull, and Roddy McDowell, and why so many scenes feel bizarrely staged or played too straight for the gags. From killer POV moments and death-by-kiln to the Xerox kill and that trampoline flag impalement, the movie delivers creative set pieces even when the plot and character motivations don’t track. It’s not a good movie, but we still had fun with it and think it plays best with friends.